发布时间： 2022-09-22 浏览（442）
Prized for its brutalist architecture by Victor Prus, the Grand Théâtre de Québec, inaugurated in 1970, required a major intervention to restore and protect its prefabricated concrete indoor and outdoor walls, as well as a historic mural by Jordi Bonet, intimately intertwined with them. Moisture infiltration had caused severe disintegration of the concrete panels and their anchors.
The concrete icon reflects the end of the Quiet Revolution in Quebec; the Bonet mural is one of the largest in the world. The fragility of the work and the inability to directly access the anchors required a radical solution.
△ 改造后的立面外观 ©Stephane Groleau
The innovative glass casing is a delicate response to a complex problem. Transparent, minimalist and almost immaterial, it acts as an extension of the original building, using the same finely tuned structural logic and composition; in fact, the brutalist lines and artistic narrative are even more striking, thanks to Lemay’s subtle solution.
The glass can appear solid or immaterial depending on the light, sometimes blurring the boundaries of the building; it fades, disappears, reflects, illuminates, articulating the project discreetly and sensitively. Amplified according to the building’s morphology, it leaves the concrete masterpiece intact and perfectly visible.
Energy-efficient and economical, the casing shields the Grand Théâtre from the elements by creating a secondary, tempered envelope housing a low-flow heat recovery and thermal mass system. Resultingly constant interior temperature and humidity levels (crucial for preserving the musical instruments inside) spare the external concrete panels, their integrated mural and their supporting anchors from any further degradation.
△ 建筑夜景外观 ©Stephane Groleau
The construction systems put forward were almost all custom-designed, with a delicate steel structure and myriad components requiring intense and sustained reflection and teamwork among architects, engineers, construction specialists and manufacturers. Together, they produced an entirely new architectural solution that heralds a new act for Quebec culture.
Studio Name: Lemay + Atelier 21
Design Team: Eric Pelletier, architect, Lead Design
Christian Bernard, architect, Lead Associate
Gabriel Tessier, Amélie Turgeon, Sarah Perron-Desrochers, Olivier Boilard, Paul Déry, Jean-François Doyon, André Dagenais, Mathieu Turgeon, Antoine Carrier, Jacques Berrigan, Marc Leblond, Élie Carrier, Pierre-Louis Chamberland, Nathalie Rocheford
Area: Québec city, Canada
Location: 269 Bd René-Lévesque E, Québec, QC G1R 2B3
Client : Société du Grand Théâtre de Québec
General Contractor: Pomerleau
Glass and fixture design engineering: ELEMA experts-conseils
Experts in materials engineering: SIMCO
Steel Structure : Métal-Presto
Lighting designers: Lemay & Atelier 21, Guy Simard et Lumenpulse
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